Ernst Logar (from OP Print Program)
Sham Sui Po
8"x10", gelatin silver photograph (work of 1996)
OP Edition, with "OP editions" blind-stamp
Edition 5/20, signed, numbered and titled on verso
by Shelley Savor
Writings by Gary Michael Dault
based on Lee Ka-sing's photographs
from LIGHT READINGS series
it is enough
on his shoelace
in an airport say
but catching himself,
the floor cheated
to his gate
certain of a safe flight
by Kai Chan
by Cem Turgay
Horse farm in Istanbul near the Blacksea. He was friendly, an Andalusian horse having his daily exercise. I took this photo in a cloudy day before dark, in January 2019.
Travelling Palm Snapshots
by Tamara Chatterjee
Morocco (September, 2014) – For me the Red city was a feast of architectural wonders; including the massive arched doorways, which in my imagination held mysterious urban oasis' amid the chaos of the surrounding medina.
by Fiona Smyth
by Gary Michael Dault
No. 210. Storm and Meadow
It seemed to him that lately he spent almost as much time re-exploring his earlier work as he did making new stuff. Was this a part of aging, he wondered? The fact is he poured over early works with such rapt attention--and often with immoderate enjoyment--that he felt it might seem merely narcissistic, until it came to him that his interest in these de-archived works was now altogether new, primary, and even urgent. It was as if they weren't even his!
The piece he was examining today had been made--according to the scrawl across the bottom--on January 28, 2013. It was titled "Storm and Meadow in Contention," He loved this idea.
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