Jungle Line

Dislocated journeys

  (DISLOCATION, Journey Issue, June 15, 1995. Cover photo by Lau Ching-ping) In the Journey issue of Dislocation magazine published in 1995, the co...

Spectators as Sky-Eaters

I gave up the hope of finding the exact position, where Chi Wo, in the Winter of 2003 made a pin-hole photograph pointing skyward at a junction in ...

Postcard Talk

It has become my habit to place recently received postcards on bookshelves, lean against few thin books, or fat volumes of encyclopedias, so I woul...

Disturbing dusts on a bowl of cherries

At the dawn of launching the DOUBLE DOUBLE: Box-in-a-Valise exhibition, memory of a past experience triggers a lost thought. Years ago we had unde...

Remember me: Four Portraits

 Aunt, taken by King's Studio around late fifties.   Some of the photographs my mother left me are over seventy years old. A visual relic I would g...

Wingochrome and Holliblad

I’ve always wondered why Ka-sing had the name Wingo in his earlier years, that is from the seventies to the eighties. In my imagination, perhaps h...

Photo image as metaphors: Two Photometers

(WINGO, Sixtron electronic, at ASA 64 / HOLLY, Lunasix 3, at ASA 64)   If at the age of butterflies.Instead we portraited ourselves as two photomet...

Studios (Stories under the Hazylight)

(1977, studio at 14 Lan Kwai Fong 蘭桂坊)   Flowery TalesWe painted the vinyl floor of our first studio, almost forty three years ago - a charcoal bla...

Objects in Photographs (as Photograms)

  20x24 inches, gelatin silver photograph 16x20 inches, gelatin silver photograph   Wild GooseI have this wild goose kite for almost thirty-three y...